Artist Statement

One day in late May I woke up in the morning and migrating songbirds were all over a blossoming cherry tree in my backyard, like colorful moving Christmas tree ornaments. I always enjoyed nature and the outdoors, but that moment led to the idea that I could share my experiences in nature through photography.

Almost every subject I photograph is aware of my presence and has chosen to trust me for a brief moment in its life or even an extended period of time. Some subjects show more trust than others, and it has been these individuals I always envisioned I would find, even in species which are normally very wary of humans. I found these individuals in time; it took years for many. They accepted me as unthreatening because I made sure that I was, because I felt they would sense it if I was not. If it meant approaching on my belly or not looking a hawk in the eye or not wearing bright colors around male songbirds on their breeding territory, and especially not interfering with cold and hungry birds that were feeding, so be it. When those individuals successfully feed in a human’s presence, without any fear whatsoever, they gain a different level of trust, and allow many of the best photographic opportunities. I would sometimes leave them as slowly as I approached. That might take 30 minutes.

My goal in photography is to evoke an emotional response: awe, wonder, sheer appreciation of beauty, etc. I seek to convey what I felt at the moment of capturing the image, and what I felt knowing I would share that moment.

I strive to capture images with good composition, and especially those which include the beautiful aspects of a bird’s (or animal’s) natural environment. Developing an eye for the opportunities which could accomplish that took years. I discovered those opportunities are rare and even more rare – successful results from my efforts. I always keep in mind that if I do not try I am guaranteed to have no results. So I get out there every day possible because nature has infinite surprises awaiting.